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French nobleman, revolutionary politician, philosopher, and writer, famous for his libertine sexuality. There continues to be a fascination with Sade amongst scholars and madeleine roux asylum pdf popular culture, prolific French intellectuals such as Roland Barthes, Jacques Lacan, Jacques Derrida and Michel Foucault have published studies of him.
Later in his childhood, Sade was sent to the Lycée Louis-le-Grand in Paris, a Jesuit college, for four years. While at the school, he was tutored by Abbé Jacques-François Amblet, a priest. After 20 months of training, on 14 December 1755, at age 15, Sade was commissioned as a sub-lieutenant, becoming a soldier. After 13 months as a sub-lieutenant, he was commissioned to the rank of cornet in the Brigade de S. André of the Comte de Provence’s Carbine Regiment. For many years, Sade’s descendants regarded his life and work as a scandal to be suppressed. This did not change until the mid-twentieth century, when the Comte Xavier de Sade reclaimed the marquis title, long fallen into disuse, on his visiting cards, and took an interest in his ancestor’s writings.
Sade lived a scandalous libertine existence and repeatedly procured young prostitutes as well as employees of both sexes in his castle in Lacoste. He was also accused of blasphemy, a serious offense at that time. His behavior also included an affair with his wife’s sister, Anne-Prospère, who had come to live at the castle. Beginning in 1763, Sade lived mainly in or near Paris. Several prostitutes there complained about mistreatment by him and he was put under surveillance by the police, who made detailed reports of his activities. The first major scandal occurred on Easter Sunday in 1768, in which Sade procured the services of a woman, Rose Keller, a widow-beggar who approached him for alms. He told her she could make money by working for him—she understood her work to be that of a housekeeper.
In 1772, an episode in Marseille involved the non-lethal incapacitating of prostitutes with the supposed aphrodisiac Spanish fly and sodomy with Latour, his manservant. Sade later hid at Lacoste, where he rejoined his wife, who became an accomplice in his subsequent endeavors. He kept a group of young employees at Lacoste, most of whom complained about sexual mistreatment and quickly left his service. Sade was forced to flee to Italy once again. It was during this time he wrote Voyage d’Italie. Later that year, Sade was tricked into going to Paris to visit his supposedly ill mother, who in fact had recently died. He was arrested there and imprisoned in the Château de Vincennes.
He successfully appealed his death sentence in 1778, but remained imprisoned under the lettre de cachet. He escaped but was soon recaptured. In 1784, Vincennes was closed, and Sade was transferred to the Bastille. On 2 July 1789, he reportedly shouted out from his cell to the crowd outside, “They are killing the prisoners here! To his despair, he believed that the manuscript was destroyed in the storming of the Bastille, but he continued to write. In 1790, he was released from Charenton after the new National Constituent Assembly abolished the instrument of lettre de cachet. His wife obtained a divorce soon after.
During Sade’s time of freedom, beginning in 1790, he published several of his books anonymously. He met Marie-Constance Quesnet, a former actress, and mother of a six-year-old son, who had been abandoned by her husband. Constance and Sade would stay together for the rest of his life. He initially ingratiated himself with the new political situation after the revolution, supported the Republic, called himself “Citizen Sade”, and managed to obtain several official positions despite his aristocratic background. Because of the damage done to his estate in Lacoste, which was sacked in 1789 by an angry mob, he moved to Paris. In 1790, he was elected to the National Convention, where he represented the far left. He was a member of the Piques section, notorious for its radical views.
While claiming he was opposed to the Reign of Terror in 1793, he wrote an admiring eulogy for Jean-Paul Marat. In 1796, now all but destitute, he had to sell his ruined castle in Lacoste. In 1801, Napoleon Bonaparte ordered the arrest of the anonymous author of Justine and Juliette. After intervention by his family, he was declared insane in 1803 and transferred once more to the Charenton Asylum. His ex-wife and children had agreed to pay his pension there.
Constance, pretending to be his relative, was allowed to live with him at Charenton. This affair lasted some 4 years, until his death in 1814. He had left instructions in his will forbidding that his body be opened for any reason whatsoever, and that it remain untouched for 48 hours in the chamber in which he died, and then placed in a coffin and buried on his property located in Malmaison near Épernon. Numerous writers and artists, especially those concerned with sexuality, have been both repelled and fascinated by Sade. He has garnered the title of “rapist” and “pedophile”, and critics have debated whether his work has any redeeming value. The contemporary rival pornographer Rétif de la Bretonne published an Anti-Justine in 1798.
Sade entitled The Revolutionary Ideas of the Marquis de Sade in 1935. Sade’s philosophy as a precursor of nihilism, negating Christian values and the materialism of the Enlightenment. In his 1988 Political Theory and Modernity, William E. Angela Carter provides a feminist reading of Sade, seeing him as a “moral pornographer” who creates spaces for women. The philosopher of egoist anarchism Max Stirner is also speculated to have been influenced by Sade’s work. In Philosophy in the Bedroom Sade proposed the use of induced abortion for social reasons and population control, marking the first time the subject had been discussed in public.
It has been suggested that Sade’s writing influenced the subsequent medical and social acceptance of abortion in Western society. Depiction of the Marquis de Sade by H. There have been many and varied references to the Marquis de Sade in popular culture, including fictional works and biographies. Sade’s life and works have been the subject of numerous fictional plays, films, pornographic or erotic drawings, etchings, and more.
Sade, a fantasia extrapolating from the fact that Sade directed plays performed by his fellow inmates at the Charenton asylum. Often Sade himself has been depicted in American popular culture less as a revolutionary or even as a libertine and more akin to a sadistic, tyrannical villain. For example, in the final episode of the television series Friday the 13th: The Series, Micki, the female protagonist, travels back in time and ends up being imprisoned and tortured by Sade. The Marquis de Sade viewed Gothic fiction as a genre that relied heavily on magic and phantasmagoria. In his literary criticism Sade sought to prevent his fiction from being labeled “Gothic” by emphasizing Gothic’s supernatural aspects as the fundamental difference from themes in his own work. Many assume that Sade’s criticism of the Gothic novel is a reflection of his frustration with sweeping interpretations of works like Justine. Within his objections to the lack of verisimilitude in the Gothic may have been an attempt to present his own work as the better representation of the whole nature of man.